For a beginning filmmaker taking stock of the legal situation in which moving images find themselves today, there are two discreet dangers. They arrive at opposite ends of the “production value� scale that ranges from DIY to Hollywood. The first is the prohibition (or the perception of prohibition—a chilling effect) on the use of appropriation. The second is the economic threat of piracy and the wane of traditional, controlled distribution methods such as the film theater on which the Hollywood business model is predicated. You can read the rest on Tisch Film Review.

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